乔纳森·弗兰岑（Jonathan Franzen） 美国小说家、随笔作家。 1959年生于伊利诺伊州。1996年在《哈泼氏》杂志发表长篇随笔《偶尔做梦》，从此受到广泛关注。迄今为止，出版有小说《纠正》《自由》《纯洁》，回忆录《不舒适地带：个人史》，以及随笔集《如何独处》《地球尽头的尽头》等。凭借《纠正》获得普利策奖提名和美国国家图书奖。

乔纳森·弗兰岑（Jonathan Franzen） 美国小说家、随笔作家。 1959年生于伊利诺伊州。1996年在《哈泼氏》杂志发表长篇随笔《偶尔做梦》，从此受到广泛关注。迄今为止，出版有小说《纠正》《自由》《纯洁》，回忆录《不舒适地带：个人史》，以及随笔集《如何独处》《地球尽头的尽头》等。凭借《纠正》获得普利策奖提名和美国国家图书奖。

In The End of the End of the Earth, which gathers essays and speeches written mostly in the past five years, Jonathan Franzen returns with renewed vigor to the themes―both human and literary―that have long preoccupied him. Whether exploring his complex relationship with his uncle, recounting his young adulthood in New York, or offering an illuminating look at the global seabird...(展开全部)

In The End of the End of the Earth, which gathers essays and speeches written mostly in the past five years, Jonathan Franzen returns with renewed vigor to the themes―both human and literary―that have long preoccupied him. Whether exploring his complex relationship with his uncle, recounting his young adulthood in New York, or offering an illuminating look at the global seabird...(展开全部)

Reissued on the tenth anniversary of its publication, this classic work on our environmental crisis features a new introduction by the author, reviewing both the progress and ground lost in the fight to save the earth. This impassioned plea for radical and life-renewing change is today still considered a groundbreaking work in environmental studies. McKibben's argument that th...(展开全部)

Reissued on the tenth anniversary of its publication, this classic work on our environmental crisis features a new introduction by the author, reviewing both the progress and ground lost in the fight to save the earth. This impassioned plea for radical and life-renewing change is today still considered a groundbreaking work in environmental studies. McKibben's argument that th...(展开全部)

From Publishers Weekly Dividing the century into two avant-gardes, the author passes on the one that runs from Picasso to Pollock and lays claim to another that begins with Duchamp and continues through Warhol into the present, a new avant-garde whose praxis will be bound to theory not metaphor. Foster, who teaches art history and comparative literature at Cornell and is an edi...(展开全部)

哈尔·福斯特（Hal Foster, 1955-），美国著名艺术批评家和艺术史家，现任普林斯顿大学艺术与考古系汤森·马丁讲席教授，《十月》的编辑。曾主编著名的《反美学：后现代文化论集》（1983），是后现代批评家的杰出代表。他的批评实践活跃而多元化，著述甚丰，从早年的《重新编码：艺术，景观，文化政治》（1985）、《强迫性的美》（1993）、《实在的回归：世纪末的前卫艺术》（1995）和《设计之罪》（2002）等等，到近期的《艺术X建筑》（2011）、《第一个波普时代》（2012），迄今共计15本之多。 2010年，他获得了克拉克艺术中心颁发的杰出艺术写作奖。2013年，他获得了美国大学艺术学会颁发的马瑟奖，表彰他的写作“为我们这个时代艺术与文化的严肃研究工作，引入、激发并设立了一个极高的标准”。他的批评目光遍及日益复杂的种种文化工业机制，以细密的观...(展开全部)

In a groundbreaking approach to avant-garde Chinese art, the 1999 exhibition “Transience: Chinese Experimental Art at the End of the Twentieth Century” established a historical framework for current artistic production in China. Organized by the David and Alfred Smart Museum of Art at the University of Chicago, the show and its catalog highlighted the diverse responses of twent...(展开全部)

In a groundbreaking approach to avant-garde Chinese art, the 1999 exhibition “Transience: Chinese Experimental Art at the End of the Twentieth Century” established a historical framework for current artistic production in China. Organized by the David and Alfred Smart Museum of Art at the University of Chicago, the show and its catalog highlighted the diverse responses of twent...(展开全部)