乔纳森·弗兰岑（Jonathan Franzen） 美国小说家、随笔作家。 1959年生于伊利诺伊州。1996年在《哈泼氏》杂志发表长篇随笔《偶尔做梦》，从此受到广泛关注。迄今为止，出版有小说《纠正》《自由》《纯洁》，回忆录《不舒适地带：个人史》，以及随笔集《如何独处》《地球尽头的尽头》等。凭借《纠正》获得普利策奖提名和美国国家图书奖。

In The End of the End of the Earth, which gathers essays and speeches written mostly in the past five years, Jonathan Franzen returns with renewed vigor to the themes―both human and literary―that have long preoccupied him. Whether exploring his complex relationship with his uncle, recounting his young adulthood in New York, or offering an illuminating look at the global seabird...(展开全部)

Reissued on the tenth anniversary of its publication, this classic work on our environmental crisis features a new introduction by the author, reviewing both the progress and ground lost in the fight to save the earth. This impassioned plea for radical and life-renewing change is today still considered a groundbreaking work in environmental studies. McKibben's argument that th...(展开全部)

Reissued on the tenth anniversary of its publication, this classic work on our environmental crisis features a new introduction by the author, reviewing both the progress and ground lost in the fight to save the earth. This impassioned plea for radical and life-renewing change is today still considered a groundbreaking work in environmental studies. McKibben's argument that th...(展开全部)

In a groundbreaking approach to avant-garde Chinese art, the 1999 exhibition “Transience: Chinese Experimental Art at the End of the Twentieth Century” established a historical framework for current artistic production in China. Organized by the David and Alfred Smart Museum of Art at the University of Chicago, the show and its catalog highlighted the diverse responses of twent...(展开全部)

Sir John Edwin Sandys (1844-1922) was a leading Cambridge classicist and a Fellow of St. John's College. His most famous work is this three-volume History of Classical Scholarship, published between 1903 and 1908, which remains the only large-scale work on the subject to span the entire period from the sixth century BCE to the end of the nineteenth century. The history of class...(展开全部)

本书为公版书，为不受著作权法限制的作家、艺术家及其它人士发布的作品，供广大读者阅读交流。汇聚授权电子版权。

作者介绍 约翰·霍根（John Horgan）是《科学美国人》杂志《Scientific American》（其中文版为《环球科学》）的资深撰稿人。他曾两度获美国科学促进会新闻与社会关系促进奖。他著有四本书，包括《科学的终结》(The End of Science，Addison Wesley，1996)和《战争的终结》（The End of War，McSweeney's, 2012）。他的文章登载在《纽约时报书评》《发现》《新科学家》《科学》和《集萃》等杂志上。《科学美国人》是美国历史最长的、一直连续出版的杂志，也是著名的《科学》（Science）的姊妹刊。大众化的高水平学术期刊，有151位诺贝尔奖得主撰稿。自2005年起，霍根就职于史蒂文斯理工学院（Stevens Institute of Technology，全美工程类大学排名前五，毕业生就...(展开全部)

In The End of Art, Donald Kuspit argues that art is over because it has lost its aesthetic import. Art has been replaced by 'postart', a term invented by Alan Kaprow, as a new visual category that elevates the banal over the enigmatic, the scatological over the sacred, cleverness over creativity. Tracing the demise of aesthetic experience to the works and theory of Marcel Ducha...(展开全部)

Before I had a chance to rebel against the world of my childhood, that world rebelled against me. In truth, confronting my parents, my social class, its poverty, racism and brutality came second. From early on I provoked shame and even disgust from my family and others around me. The only option I had was to get away somehow. This book is an effort to understand all that. Édoua...(展开全部)